In a world where US based southern-rock is often strung with politically motivated stigma, Black Stone Cherry seem to be one of the only bands able to cut away with the division and bring an ever-loyal fanbase together with true, honest, chunky riffs. Which begs the question, how do they keep doing it?
FREAKSHOW BABY. Heavy Metal icon and horror filmmaker extraordinaire Rob Zombie rises from his crypt to deliver his eighth studio album The Great Satan with promises of a return to his industrial metal roots.
Slowcore has a glass ceiling, and a lowering one at that. How do Deathcrash navigate this impasse with their swift rise?
Shelf Lives dropped their first EP Yes, Offence back in 2022. Four years later, what does debut album release HypernormaL have to offer eager fans?
Philadelphia's Varials focus on obliterating brutality at maximum force of impact on new album WHERE THE LIGHT LEAVES.
The Beast Goes On see’s Starbenders once again trying to revive all things glam. All it does is show why they're best left buried.
Good Tiger make their return after a prolonged absence on reflective fourth album The Most Negative Day Of The Year, bearing the scars left by the passage of time.
Following the release of her third album Kissing Death in 2024, Mothica went through a rough patch, to say the least.
Twat Union isn't a movement to legitimise sex work. It is, instead, a deliciously in-your-face all-female punk sextet out to tackle subjects both taboo and mainstream.
Wot Gorilla? return full of heart and surgical precision, proving to be the greatest version of themselves on Stay Home.
Raw and uncompromising melodic hardcore, Death of Youth are a bright spark waiting to catch fire on debut Nothing Is the Same Anymore.
After being a band for 10 years, most would begin to sound stagnant, repetitive, and stuck in their safe zone, but that’s not the case for Manchester hardcore band, Guilt Trip, who just surprise dropped a 3-track EP, God Forgives.