Scotland’s progressive post metallers get ecclesiastical on third album Voidkind.

Here at Noizze, we loved Vnder A Crvmbling Moon’s debut, I: Oblivion back in May last year. Less than a year later, they’re treating us to album two in the form of II: Aging & Formless, that promises to take everything we loved about that first album and expand on it.

Both scalding and cathartic, the long awaited debut from Shooting Daggers see's the London trio screaming for love, rage and unity in brilliant form.

Seattle's reborn punks bring the noise to London's New Cross Inn with support from the UK's underground best and brightest.

If you’re looking for feel-good music, look elsewhere. END’s stock in trade is nasty, nihilistic heavy hardcore that sounds like it wants your lunch money.

Scene Queen's ascent to her throne might look fast to some, but it's the result of years of hard work finally paying off for Hannah Collins, who adopted the moniker in 2020. Self-styling her music as "bimbocore", she's blended metalcore with stereotypically feminine, or girly, aesthetics. It's pissed off all the right people (the misogynists some songs are aimed at), while striking a chord with plenty others, particularly young people, women and the LGBTQ+ community, much of whom her music is made for. 

Dreamwell’s debut Modern Grotesque is frankly, one of the finest screamo albums of the past few years.

Gunship are a love letter to 80s synth music - that much has been obvious since day one, or perhaps at least 2015’s self-titled debut album when they helped pioneer what became synthwave.

Koyo might only have been together since 2020, but they’re already hotly-tipped by many to claim the melodic hardcore/pop punk throne.

As Everything Unfolds cemented themselves firmly as one of the UK's most promising bands with their debut album, and with followup Ultraviolet they've only built on that promise and affirmed that.

With mere days to go, it's time to pack your waterproof grundies; ArcTanGent 2023 is almost upon us.

Post-metal. Blackgaze. Post-black metal. Whatever you want to call it, Copse make it, and it sounds stunning.